Hans leo hassler biography of nancy

Though Hassler was Protestant, he wrote many masses and directed the music for Catholic masses in Augsburg. During his time in Augsburg, Hassler only produced two works that were specifically meant for the Lutheran church. Under the commission of the free city of Nuremberg, the Psalmen simpliciter was composed in , and was dedicated to the city.

After returning from Italy, Hassler incorporated polychoral techniques, textural contrasts and occasional chromaticism in his compositions. His later masses were characterized by light melodies juxtaposed with the grace and fluidity of the madrigalian dance songs; thus creating a charming sacred style that was more sonorous than it was profound.

However, Hassler's greatest success in combining the German and Italian compositional styles existed in his lieder. The Lustgarten neuer teutscher Gesang, Balletti, Galliarden und Intraden , which contains thirty-nine vocal and eleven instrumental pieces, is Hassler's most renowned collection of lieder. Within this work, Hassler published dance collections for four, five, or six string or wind instruments with voice and without continuo.

Along with many of his contemporaries, Hassler sought to blend the Italian virtuoso style with the traditional style prevalent in Germany. This was accomplished in the chorale motet by employing the thorough bass continuo and including instrumental and solo ornamentation. Hassler is considered to be one of the most important German composers of all time.

Hassler's sacred music is both for the Roman Catholic church and the Lutheran. Stylistically, his earlier music is more progressive than his later: he uses polychoral techniques, textural contrasts, and occasional chromaticism in the music he wrote after coming back from Italy; but most of his later religious music is conservative, using linear polyphony in the manner of Palestrina.

Hans leo hassler biography of nancy

His secular music— madrigals , canzonette, and songs among the vocal, and ricercars, canzonas, introits, and toccatas among the instrumental—show many of the advanced techniques of the Gabrielis in Italy, but with a somewhat more restrained character, and always attentive to craftsmanship and beauty of sound. New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards.

This article abides by terms of the Creative Commons CC-by-sa 3. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. In his church music he was influenced by Lassus , whereas his Italian secular music shows his thorough familiarity with the up-to-date style of Vecchi and Marenzio.

The specifically Venetian influence is felt most in his double-choir madrigals and Lieder. His best Lieder collection is the Lustgarten, with its dance songs and instrumental intradas for consort. Hassler was one of the first to bring the innovations of the Venetian style across the Alps. Though Hassler was Protestant, he wrote many masses and directed the music for Catholic services in Augsburg.

During his time in Augsburg, Hassler only produced two works that were specifically meant for the Lutheran church. Under the commission of the free city of Nuremberg, the Psalmen simpliciter was composed in , and was dedicated to the city. Hassler also produced the Psalmen und christliche Gesange, mit vier Stimmen auf die Melodeien fugweis komponiert in and dedicated it to Elector Christian II of Saxony.

After returning from Italy, Hassler incorporated polychoral techniques, textural contrasts and occasional chromaticism in his compositions. His later masses were characterized by light melodies juxtaposed with the grace and fluidity of the madrigalian dance songs; thus creating a charming sacred style that was more sonorous than it was profound.

However, Hassler's greatest success in combining the German and Italian compositional styles existed in his lieder. Within this work, Hassler published dance collections for four, five, or six string or wind instruments with voice and without continuo. Matthew Passion.