Eugene von bruenchenhein biography for kids

Untitled Marie with criss-cross pearls , dark background , c. Untitled Marie with crochet panties , sweetheart pillow on floor , c. Untitled Marie with floral halter top , flower in hair , hibiscus background , c.

Eugene von bruenchenhein biography for kids

Untitled Marie with floral halter top , flower in hair , hibiscus backround , c. Untitled Marie with floral halter top , flowers in hair , c. Untitled Marie , c. Shortly after his death in , it was revealed that he had spent much of his life making art in seclusion. Thousands of drawings and paintings were discovered in his home, along with odd floral ceramic pieces, miniature furniture and towers made from gilded chicken bones, large cement sculptures, dozens of poems and written works, and hundreds of photographs of his wife Marie in exotic costumes and settings.

She and his close family had kept his immense output a secret for decades. Although his early works were more traditional depictions of flowers and landscapes, among them was found a vast series of apocalyptic finger paintings, begun in in reaction to the development of the hydrogen bomb. Although he did not finish high school, Von Bruenchenhein was an avid student of botany and history and wrote extensively on his own metaphysical theories of biological and cosmological origins.

He also composed poems on nature, love, and time travel. For a time, Von Bruenchenhein worked at a bakery during the day, and in the evenings he privately made his art which occupied every corner of his modest home. He painted fantastical landscapes, structures, and creatures on cardboard and Masonite but also decorated ceilings, walls, doors and windows throughout his home.

He constructed miniature thrones and towers from dried chicken bones and model airplane glue. Ceramic crowns, vases, and floral elements were formed from hand-dug clay and fired in the stove. He lacquered his chair sculptures in gold and metallic hues. It connects two seemingly disparate studies of his work: his floral constructions and his architectural structures.

From to , Von Bruenchenhein used small swatches of wallpaper as his canvas for ink drawings. Remarkably, he produced thousands of pieces of art within the confines of his home-turned-studio. During his lifetime, only close friends and family knew of their existence. Although Von Bruenchenhein's pieces remained out of sight, it is not for want of trying.

In an effort to sell and exhibit his work, Von Bruenchenhein repeatedly approached local galleries, but to no avail. It was only after his death on January 24, , that Daniel Nycz, a close friend and supporter, got the attention of Russell Bowman, the director of the Milwaukee Art Museum. In , the Kohler center launched its first ever exhibit of Von Bruenchenhein's work.

Now, Von Bruenchenhein's work is garnering newfound attention. Brett Littman, the executive director of the Drawing Center in Soho, was the guest curator. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikidata item.