Seonna hong biography of donald

Yet, while Lewis Carroll's Through the Looking-Glass represented a nonsensical world in opposition and in critical response to England's 19th century bourgeois Victorians, Seonna Hong crafts a site of reconciliation and empathy to manage the complexities of living in the 21st century. Other than the black dog -- the child's nemesis with whom she may ultimately reconcile -- most of the animals in her paintings are reassuring.

I also wanted to have these large looming characters that were part of the backdrop but that represented that some things remain hidden The hippo in Unnie seems to quietly stand sentry over the two girls who wade through the pond. He may represent the guardian that the girls emotionally conjure to protect themselves. Childhood is what we often spend the rest of our lives trying to fix, overcome, transform into something tolerable or better yet, reinvent as wonderful to re-experience and extend into adulthood.

Hong seems to understand these impulses and how we may employ our childhood memories either real or constructed as palliative to adult anxieties and wounds. According to art historian Carol Mavor, "The fantasy of the child, pure tabula rasa, is ripe and ready for our own predetermined inscriptions: pink, blue, pants, skirt, dress-up, play, sailor cap, wide-brimmed hat, short socks, knee socks, naughty or nice Our desire for the child is the lure of the 'blank page.

The girls are the personification of Hong's childhood successes and even her losses. According to Hong, " Animus is a collection of images depicting a journey toward emotional resilience. The young girl appears again as the protagonist, while a black dog represents the antagonist. I choose children to be my storytellers because of their innocence and innate honesty.

The purity of a child's character, before it is shaped by social propriety and shaded by self-doubt, inspires me. Although Animus illustrates a story of growth, it is not a morality tale. Rather, it is about the response to aggression; initially a reactive one, stemming from fear and discomfort, maturing to a more hopeful and compassionate resolve.

Hong's works are deeply humanistic, embedded with emotional depth and a search for holistic living.

Seonna hong biography of donald

In Nightmare , the child dreams of a large black dog that appears as a frightening disembodied head in the child's dream bubble. The dog's head looms over the sleeping girl, dominating the child's small room in which she sleeps. And while the simplified forms and saturated lively cartoon-like colors connote the animation from which Hong derives her inspiration, the work's complexity and sophistication underscore its resonance.

As adults we long to identify with the child in the story who stands in for our complicated childhood. As a storyteller, Seonna Hong designs her work to intrigue the viewer with the narratives that are at once concise and self-contained, yet broad enough to be interpreted individually. Fantasy, critical to the success of Hong's visual stories, propels the viewer through her paintings.

The paintings are small, sometimes barely bigger than a children's book, suggesting the physical and conceptual intimacy of children's literature. Autobiography colors Hongs works a vibrant spectrum of intimate resonance. She recognizes that the self is often a fictitious conceit and that to truly describe the self one must view it from a distance, in this case, the distance of a simulated childhood.

Autobiography can often most easily be constructed through this distancing technique. Hong's girls embody everyday emotions, metonyms for herself and for us as sympathetic comrades. Lonely Universe , Posthumanity , Send me more information on Seonna Hong Please fill in the fields marked with an asterisk. Message Please send me more information on Seonna Hong.

Send inquiry. The artists are reuniting to produce a new Jess Ackerman Sarah Allwine The exhbition will be Hong's fifth solo presentation at Hashimoto Contemporary. Opening Night Reception The exhibition brings together a group of artists who have drawn inspiration from one of the Returning for her fourth solo presentation with the gallery, the new works offer The exhibition brings together a group of artists Our new sq.

The exhibition brings together a group of over thirty artists from around the globe who have This exhibition The exhibition brings together a group of over twenty artists in a Liminal Space will be the artist's third solo exhibition at Hashimoto Contemporary, in which The gallery will be exhibiting new and recent works Expanding upon her series of expressionistic landscapes, The gallery will be presenting a group exhibition featuring new Miami Project 1 - 4 Dec Hashimoto Contemporary is pleased to announce our participation in the Miami Project art fair this December.

Miami Project Edition 5 will be built seamlessly into the existing architecture of An annual group show, The Come visit us at booth where Hashimoto Contemporary Toy Drive! December 1, We are super excited to announce that we will be hosting a Toy Drive in December! Benefiting a charitable organization in San Francisco, we invite She is Los Angeles —based.

Born and raised in Southern California, Hong is the daughter of parents who immigrated from Korea. Her work as a background painter has appeared in animated series and films, most notably in the Nickelodeon series, My Life as a Teenage Robot , for which she received an Emmy Award in Her work has frequently been featured in art magazine Juxtapoz.

In , actress Lily Collins mentioned she collects Hong's artwork. Hong's fifth solo exhibition at Hashimoto Contemporary. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikidata item. American painter born